Some topics we covered:
- How we met and our intention behind trading lessons.
- Similarities and differences between the genres of classical and contemporary singing.
- How all art is about effectively and authentically communicating a message to the one heart.
- Subtle technical differences in formal and contemporary genres in performance focus, creating volume, using self-compression, facial expressions, vowel lengths, vibrato, the need for mic technique or to fill the hall acoustically, conveying emotion without pushing.
- How “less is more” in contemporary music, while continuity in sound is important in classical music.
- How cross training can benefit both contemporary and classical voice.
- What issues students typically have when trying to cross these genres and perform them authentically.
- Using tools such as a trampoline or bosu ball to loosen the body and increase access to breath and tone, as well as a coffee straw or balloon for warming up.
- How 'pulling' helps both contemporary and classical singing.
- How both coaches have improved each other's voices.
The Lesson Trade
As an opera singer, Mark is experienced with both the Operatic and Operetta Repertoire. Roles he has performed include: Rodolfo, La boheme, Prunier, La rondine, Tamino, Die Zauberflöte, Nemorino, L’elisir d’amore, il Messaggero, Aida, as well as Ralph, H.M.S. Pinafore, Frederic, The Pirates of Penzance, and Nanki Poo, The Mikado. He currently performs with the Nashville Opera. Mark was awarded First Place in the inaugural NATS National Competition held in Boston, MA. He won an Honorable Full Scholarship to the Cornish-American Song Institute, where he performed Art Song recitals and toured England. Mark is the featured soloist on the album 'Whispering of Fields Unsown', by Andrew Boysen, Jr., and 'If My People Pray', arranged by Phillip Keveren.
Mark has an extensive background in vocal health, voice science and research. Under the tutelage of Dr. Scott McCoy, he worked as research assistant in the Helen Swank Research and Teaching Lab. He worked as assistant in the Head and Neck department of the Eye and Ear Institute in Columbus, OH. He helped lead therapy sessions and customize vocal exercises for patients in the Speech Pathology Clinic of the Martha Morehouse Outpatient Care facility. He is slated to travel to Hangzhou, China to develop and implement an elite vocal research lab for the purpose of diagnosing vocal pathology in classical singers.
Mark currently teaches at Belmont and Lipscomb University, and is the owner and founder of Vocal 360 Global—an artist coaching and mentorship program. His clients have performed Internationally, as well as on National Tours, Broadway, and several have received recording contracts. It is my honor and pleasure to work with him, pick his brain and call him friend!
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