Does anybody have recommendations for specific headset mics like, or ones to avoid?
Click "comment" to respond. - and thanks!
Training & insights for stage and studio singers, speakers, vocal coaches and producers from professional vocal coach and author of "Power, Path & Performance" vocal training method.
As producer of your project:
My production fee would be negotiated according to the type project. Of course, it it's just piano or guitar vocal or pre-existing track, I would charge much less because the time required would also be much less. Vocal lessons would be an extra fee you would need to include in your budget. You would also need to pay separately for any graphics and duplication you want.
As vocal producer of your project:
My vocal production fee is $80 an hour. Typical length of time is one to two hours per song.
I hope this helps you plan your project, whether or not I work on it. I always love working with other producers - on the team as vocal coach, vocal producer or consultant. There are many creative solutions that can help you get the best project for your budget. If you have any questions, please click the comment link and I'll be happy to reply.
This is a continuation of my post series on the subject of vocal breaks. I had a great question emailed (thanks, Nav!) to me today about the jaw's function in singing. Oddly enough, incorrect jaw actions are among the things that will cause and/or exacerbate a vocal break.
Vocal register breaks, as indicated in my previous post, are caused and made worse by whatever interferes with allowing changes in length, tension and mass of the vocal cords as the singer moves through different pitches. Top 5 causes I see...
Why do we do these vocally dysfunctional things? Top 4 reasons I see:
What can we do to change our habits?
Comments are always welcome as you try my suggestions. Next post, I'll give amazingly effective tips to open the throat channel at the break point. Yes, this will be about the correct vocal "Path".
Symantics aside, however you define vocal registers, boundaries and breaks, the important thing is how to blend your voice to get rid of the cracks. Added bonus... eliminating vocal breaks also adds to the tone quality of the voice through out the whole range, helps to relax the voice into a fuller range and adds to vocal control. Whew! It's pretty clear we want this.
...The frequency of vibration of the vocal folds is determined by their length,
tension, and mass. As pitch rises, the vocal folds are lengthened, tension increases, and their thickness decreases. In other words, all three of these factors are in a state of flux in the transition from the lowest to the highest tones.
If a singer holds any of these factors constant and interferes with their progressive state of change, his laryngeal function tends to become static and
eventually breaks occur, with obvious changes of tone quality. These
break are often identified as register boundaries or as transition areas between
registers. The distinct change or break between registers is called a passaggio or a ponticello.
Vocal pedagogists teach that with study a singer can move effortlessly from one register to the other with ease and consistent tone. [Judy says, absolutely!] Registers can even overlap while singing. Teachers who like to use this theory of "blending registers" usually help students through the "passage" from one register to another by hiding their "lift" (where the voice changes). However, many pedagogists disagree with this distinction of boundaries blaming such breaks on vocal problems which have been created by a static laryngeal adjustment that does not permit the necessary changes to take place...
I have been able both to get rid of my own vocal break and to help every student I've worked with eliminate theirs with the teachings of Power, Path & Performance personal lessons and cd course. That's how I know it works. This next series of blog posts, will be my first response to my dear reader's list of subjects. I will be addressing every "All Things Vocal" subject you name, so ... keep sending me your subject requests for this blog and be sure to subscribe for updates!
... mending vocal breaks to be continued...
If you think this takes training... drum roll.... YOU'RE RIGHT! Seek out a professional vocal coach who trains session singers and also do as much singing with other session singers as you possibly can. If you can get in to watch session singers work, do so with every opportunity. This is a specialty skill, and the best session singers perfect their craft carefully for years.
You must also have a "jingle reel". It's a bit like "which came first, the chicken or the egg", but you must have your voice recorded on 6 to 8 jingles recorded and have the snippets professionally edited together. Try to include as many different styles as you are comfortable singing. You can ask around or do a Google search for studios or engineers who do this; I don't want to recommend a particular company. I will tell you it needs to sound great and stand out from the crowd of jingle reels.
Then you have to do the researching and networking required to get the cd listened to. Search out jingle companies in your area; also find singers who do this work. Problem: many times jingle companies have in-house singers (who are sometimes the producers themselves) and really only need soloists. That's OK, submit the reel with some of your solos.
Here is a site I thought did a good job of talking about jingle singing. Beware of other jingle singing info sites that just want to sell you something. Make sure that reel they want to produce for you will be affordable and give you the quality you need. You might be better off getting it done locally.
The jingle singing field has always been lucrative. That's why people go to the trouble to train for it. If you are truly good at hearing parts, at reading music, and at blending your voice, try to do some recording with a group and see if you think this kind of singing could be a fit for you.
If you are a jingle or session singer, watch over your instrument. Stunt singing is a demanding business. If you:
... I can help you.
Call or email me at 615-834-4747, firstname.lastname@example.org . Power, Path & Performance is, most of all, a practical, real-world solution to vocal goals, and a jingle singer's voice is more than worth the investment.